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When Family and Friends tried to end its set at last summer, the crowd refused. After the band members played what they hoped to be the encore, the audience whined like a child told it was time for bed. Finally, the lead singer Mike Macdonald looked at the crowd and said, “No seriously, guys. We’d love to play another, but we’ve literally played every one of our songs.” Although the number of people performing on stage might not have been much larger than the number of people attending the show, the energy was that of a concert three times its size. If you wanted to be a member of Family and Friends, you would have to dislike personal space; the band performs with two drummers who play facing each other, and the other five members are packed tightly at the front. It’s perfect chaos. At the time of last year’s Columbia show, Family and Friends had only released two EPs, both of which were enough to gather a strong following.

But since then the crew has released its first full-length album, and the talented musicians are headed back to Columbia on Sept. 11 to finish what they started last summer. Macdonald — an Athens, Georgia native — sat down to tell Vox what to expect from this fall's CoMo comeback. What’s the story behind the name “Family and Friends”?

When we first started out, it was just me and the drummers. We were just really making noise and trying to flush out the sounds, but we didn’t have a name yet. We started testing out a lot of dumb names but we ended up coming across “Family and Friends,” and it kind of just embodied everything we wanted to be — a collective unit that’s community style. We wanted to be bigger than any just one individual in the band. So it was just you and the drummers, then what? How did you get the other four members? It was kind of fate.

A lot of the ways we added members are long stories here and there, but to really shorten it down, we kind of knew who we wanted to join. Athens is such a musical city, so we knew a ton of people. Like, we knew we wanted Tuna, who plays bass, to be in it; he was already in a band at the time.

And then we got the guys on guitar it all kind of just worked itself out, really. When did you decide, “Okay, this is the limit of members”? Because you have two drummers and three guitarists. I don’t think we have even decided that really now. It’s still constantly evolving, and we just want to play with what makes sense at the time.

It’s really not set in stone as it is right now. You know, it’s definitely tough to tour with that many people, but ultimately it’s really rewarding. You mentioned you’re from Athens, Georgia — what’s the music scene like down there? Oh, it’s incredible. There’s always the classical references people make to The B-52s and R.E.M. That, of course, put Athens on the map.

Because of them, it really is a musical hub. There’s so many places to play and practice for bands but also just that space to develop. But more than that, we’re all just really supportive of each other, which encourages that environment to grow. So you recently released your first full-length album, Felix Culpa. How was the making of this album different from your previous records?

This album was a lot more of a collective writing experience. In the past, I was the one bringing the flushed-out songs to the band, and then we’d start the conversation there. Other people would add in their parts and things like that, but this album really started from ground zero. It has a bit of everyone on it. It was the first time we wrote with an overall concept — we were actually trying to make a full-length album. It was also the first time we were trying to write a cohesive piece of art, as opposed to the other EPs, which were kind of just songs that we wrote individually and then slapped together. I saw you guys at Rose last year and it was one of the best shows I saw last year because it was so engaging What’s your favorite part of performing live?

It kind of is that engaging atmosphere. I keep using the word communication and conversation, but that’s really what we see it as. We try to make our shows a conversation with the audience, and this idea that what we’re doing is bigger than any one person in the room. It kind of creates this magic that you try and just put in a bottle. What was the most memorable show you’ve played?