1962: Surfin' Safari 1963: Su rfin' U.S.A. Surfer Girl Little Deuce Coupe 1964: Shut Down Volume 2 All Summer Long The Beach Boys' Christmas Album 1965: Today!

Summer Days (And Summer Nights!!) Beach Boys' Party! 1966: Pet Sounds 1967: Sm iley Smile Wild Honey 1968: Friends 1969:: Sunflower 1971: Surf's Up 1972: Carl and the Passions - 'So Tough' 1973: Holland 1976: 15 Big Ones 1977: Love You 1978: M.I. Album 1979: L.A. I worked at KFXD-AM & FM in Boise, Idaho for 10 years, serving as Research Director, Music Director and Sports Director among other things. During this time, I researched, organized and produced several music specials including The Top 500 Songs of All-Time and The Top 100 Artists of the Rock Era. I started Inside The Rock Era in 2011 to counter the sea of misinformation about rock music in general and specifically which songs, albums and artists were the most successful. Since that time, Inside The Rock Era has received over one million page views.

I am the author of two books, The Top 500 Songs of the Rock Era* and The Top 100 Female Artists of the Rock Era*, both available in softcover and Kindle on Amazon and on this website.

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By Brian Erickson Discog Fever is a regular feature on thegreatalbums.com, rating and reviewing a band's entire catalogue of studio albums. I was a fan of The Beach Boys before I was a fan of almost anything else from which I derive enjoyment in my life. But the band that most people know only existed for four years (1962-1966), making them one of the most misunderstood and misrepresented major acts of the rock and roll era. Unlike the Beatles, the Beach Boys never broke up. Unlike the Rolling Stones, their tours are not near-billion-dollar arena-packing ventures. Since they never stopped making records, this Discog Fever will span three parts: the 60s, 70s, and their later career (80s-10s). So come on a safari with me, friends; the water's fine! Surfin' Safari (1962) C. The Boys returned a mere five months later with their second effort and it's quite the improvement.

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Leader Brian Wilson already started to exhibit more maturity in the studio. The album is weighed down by an overabundance of Dick Dale derived instrumentals, but they're of course redeemed by the magnificent, Chuck Berry-esque title track as well as 'Shut Down' my personal favorite on the record (and a hint into the direction the band would soon take). But respectable cuts like 'Farmer's Daughter' and 'Lonely Sea' start to show fans that these young men might yet have a solid album in them. Surfer Girl (1963) C+. Six months later and we got another incremental shift upward, this time courtesy of bandleader Brian Wilson taking the production reins. If the Beach Boys were treated the way EMI treated the Beatles, they'd have had one incredible album instead of three mediocre ones at this point in their career. The title track is stunning; the Beach Boys really knew their way around a ballad at this point, and even managed one better with the telling 'In My Room.' They dropped at least one great deep cut with 'The Surfer Moon' and hit huge with B-sides turned radio staples, 'Little Deuce Coupe' and 'Catch a Wave,' still one of their most exciting, unexpected melodies. But too many throwaway songs like 'South Bay Surfer,' 'The Rocking Surfer,' and 'Surfer's Ride' prevent this album from being the artistic breakthrough that so many fans often want it to be.